Lauren Eldridge Stewart

Lauren Eldridge Stewart

Lauren Eldridge Stewart

Assistant Professor of Ethnomusicology,
Performing Arts Department (Affiliate),
Department of African and African-American Studies (Affiliate)
(On leave Fall 2026)




PhD, University of Chicago
AM, University of Chicago
BA, Spelman College
research interests:
  • pedagogy
  • African diasporic music
  • the Caribbean
  • Haiti
  • art economies
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contact info:

(On leave Fall 2026)

Professor Eldridge Stewart’s research focuses on ethnographic analyses of contemporary classical music cultures. She teaches courses on music traditions around the globe, jazz, and musical activism. 

Her research interests include classical music cultures, sampling in gospel and hip hop, and interpolation across music of the African diaspora. Her forthcoming first book, Recital: the Uses of Classical Music in Haiti introduces a network of summer music camps in Haiti that demonstrate both the aesthetic and functional value of classical music. Her next book examines the community and educational outreach programs of US orchestras and the efficacy of their claims toward social justice. She has been published in Music and Politics, Women & Music, and Twentieth-Century Music, and has presented at national and international conferences, including the Society for Ethnomusicology, British Forum for Ethnomusicology, Haitian Studies Association, and the American Anthropological Association. She cohosts the Saint Louis Symphony Orchestra broadcasts on St. Louis Public Radio. Lauren’s work has been extensively supported by the Mellon Foundation and the Institute for Citizens and Scholars, as well as by the Center for the Humanities and the Center for the Study of Race, Ethnicity and Equity at Washington University.

Web Story: "The significance of protest music in St. Louis and American history"

Selected Courses

Undergraduate

Musics of the World
Music of the African Diaspora
Jazz in American Culture
Music of the Caribbean

Graduate

Introduction to Musicological Research
Music and Social Justice: the Aesthetics of Activism
Music Pedagogies

Selected Publications

Recital: the Uses of Classical Music in Haiti. University Press of Mississippi, 2027.
"From the Islands to the Motherland: Motivic Traveling in Contemporary Gospel Music" in Yale Journal of Music and Religion 8:1 (2022)
"Singing on Solid Ground: Music Education in Post-Earthquake Haiti" in Twentieth-Century Music 19:2 (2022)
"Music as Mission: Hierarchies of Sound and Difference" in Women & Music: A Journal of Gender and Culture (2019)
"Respectable Sound: Music Education as Social Movement" in Music and Politics 12:2 (2018)

Published reviews:

Journal of the Society for American Music
The Common Reader
the world of music (new series)
Folklore
Journal of Folklore Research
The Journal of Haitian Studies
CBMR Digest
Callaloo

 

Recital: The Uses of Classical Music in Haiti

Recital: The Uses of Classical Music in Haiti

Description:

Classical music has been a cultural mainstay in Haiti throughout the nation’s history, and it continues to serve as an enduringly powerful source of community in the present moment. Every summer, foreign volunteers visit Haiti to teach music in the Western art tradition in urban and rural settings. Author Lauren Eldridge Stewart joined them to observe how the actions of volunteers and campers, foreigners and citizens, are shaped by an American news media landscape that routinely provides a limited impression of everyday life in Haiti.

Her findings are collected in Recital: The Uses of Classical Music in Haiti, which offers a fresh framework for understanding the continuous yet evolving currency of the genre worldwide. Eldridge Stewart analyzes ways that Haitians prove classical music to be purposeful and meaningful throughout their individual lives and communities. News coverage of Haiti is frequently derogatory and consumed with deficits and lack. Recital reconsiders that messaging and posits that we all gain by understanding how this system of music education persists and succeeds.

Reviews:

"Recital: The Uses of Classical Music in Haiti is an important contribution to the musicological literature about the Caribbean, as well as classical music in general. Drawing upon a wide array of theoretical literature, the author situates classical music in Haiti as a potent signifier of personal identity, social class, and national pride. By moving beyond a consideration of genre in classical music to consider how it is put to use in Haitian summer music camps, Eldridge Stewart brings an ethnomusicological focus to a topic usually explored by historical musicologists."

- Michael Largey, author of Vodou Nation: Haitian Art Music and Cultural Nationalism